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Although it does allow us to see a robo-brothel with a strange, underwhelming cameo from Christina Aguilera as an android of the night. One of the bigger problems here is how easy it becomes to compare Zoe with better, richer films of its ilk. The social commentary feels somewhat shallow compared to the perceptive nature of Her or Eternal Sunshine or even a number of episodes of Black Mirror.
Zoe is an attractively made yet dour and often shallow look at love that muddles along when it should be searing a hole. First look review Tribeca film festival.
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Zoe review — Ewan McGregor falls for a robot in stylish, dour drama. Photograph: Amazon Prime. Benjamin Lee. Sun 22 Apr Filologia, interpretazione e teoria della letteratura , Teodoro Patera , and Antonella Sciancalepore. Saranno tuttavia privilegiate le proposte che, senza rinunciare al rigore specialistico, tendano a inserirsi in quadri di ampio respiro teoretico e comparatistico, in grado di contribuire al dialogo intersettoriale.
I testi, della lunghezza massima di Le proposte per il numero corrente dovranno pervenire alla redazione entro il 31 maggio di ogni anno. Gli articoli che giungeranno dopo tale data saranno presi in considerazione per il numero successivo. Philology , Comparative Literature , and Literary Theory. Interpellando una folta schiera di View on eum. La dea dei cavalieri. View on aracneeditrice. Il furore, il viaggio, l'animale: il cavaliere alla frontiera magico-spirituale nella letteratura eroica medievale more.
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First two pages of my article. For more, please refer to the printed issue of the journal. In the present paper, the author intends to explore the articulations of this connection in Old French chansons de geste and romance, by comparing them with similar occurrences in Celtic and Germanic heroic literature and in Middle Latin visionary texts. This analysis aims to highlight how the magic and spiritual attributes of the knight in 12th and 13th century texts compose the model of an otherworldly hero, capable to move across the symbolic and physical boundaries of the human.
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Eating others: symbolic and actual anthropophagy in medieval storytelling - Introduction more. Doi: Cannibalism and Medieval Culture. View on classiques-garnier. Hawks and knights. This article explores the role of hunting birds in the definition of the knight in twelfth-and thirteenth-century French chivalric literature.
After some introductory remarks on the identity-shaping role of hawks in the hunting practices After some introductory remarks on the identity-shaping role of hawks in the hunting practices of medieval aristocracy, the article focuses on the multi-faceted identity correlation between knights and hawks across romance and epic poems.
Through this analysis, the study demonstrates that chivalric literature established between knights and hawks a multi-layered and twofold identity shift, which contributed to convey the ambiguities of the knightly ethical model. View on benjamins. Brehus or Brun: a bear-like warrior in the Arthurian world Pre-print version more. Careri, C. Menichetti, T. Rachetta, Roma, Viella. Il guerriero come confine. Lineamenti antropologici del cavaliere belva more.
In this paper, the author discusses various configurations of the model of the warrior as border-fighter in medieval literature.
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In particular, she investigates the role of geographical borders, social borders and human borders in the In particular, she investigates the role of geographical borders, social borders and human borders in the construction of the heroic identity in Old French epic songs, with comparison references to Old Irish, Old Germanic and Byzantine texts. Ombre totemiche negli animali meravigliosi della letteratura d'oil more.
View on brepols. Perceval, l'uomo del Peir: una nota etimologica more. This article investigates the name Perceval and its relation with the grail object in French romances, in Parzival and in the Welsh Peredur. By means of a comparative analysis, the author highlights the morphological similarities between By means of a comparative analysis, the author highlights the morphological similarities between the grail and the Peir Dadeni of the Welsh tradition, and argues that they may both stem from the cauldron of the Neolithic Bell Beaker culture. According to this interpretation, the author suggests a new etymology of the name Perceval.
Stratigraphy of the motif of knightly symposium in Medieval French literature more. View on continuitas.
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Conference Papers. In this paper, I analyse the discourse of identification between ethnic identity and natural environment of the French far-right ecologist voices, and compare it with similar identification practices in medieval scientific and literary In this paper, I analyse the discourse of identification between ethnic identity and natural environment of the French far-right ecologist voices, and compare it with similar identification practices in medieval scientific and literary culture. In the late-medieval French romance Perceforest, in particular, we observe a vision of nature that can serve a message of political and cultural conquest.
Impressionable women : a case study on human-animal reproduction in medieval literature and science more. Zoophilia and bestiality are reproached throughout medieval culture, in theological treatises, penitentials, and literary texts. However, there is a type of cross-species generation that appears in both scientific and literary texts: the idea that a woman's vision or the thought of an animal during human-with-human coitus will result in the generation of a hybrid. In this sense, therefore, imagination is considered to be a powerful genetic input to animal reproduction, so powerful to allegedly be able to overcome the natural sexual incompatibility between human and non-human species.
Through a discussion of both types of cross-species generation in scientific texts e. Comment classifier les monstres? Abnormal bodies Abnormal bodies of humans with animal features were common in human imagination since at least the Antiquity, but Perceforest, a 14th-century masterpiece of French romance and an extraordinary testimony of late medieval European culture, invents new hybrid bodies that, although inspired by the previous tradition on monsters, combine uniquely human, animal and artificial objects.
These combined bodies create animal-machines, in which the human works as a passage, a temporary form bridging the organic and the artificial. But what is the purpose of these techno-hybrids in late medieval chivalric literature? And what is their place in pre-modern imagined biosphere? I will argue that the romance uses the human-animal-technology hybrids to imagine an alternative relationship between nature and culture, and disrupt monolithic concepts of the human through ironic and utopian discourse.
The most ancient of its Western versions, the French verse Le roman des sept sages de Rome second half of the 12th century , strikes us for the concentration of environment-related tales: since the frame story deals with an accusation of infidelity, the tales tend to discuss cases of disputed love, and several of them describe tragic stories of human affection towards plants and animals.
How do the contrasting attitudes expressed by the characters of these tales and the morality bestowed upon them by the narrating voices in the frame story contribute to draw the lines of a complex pre-modern ecology?
David Chipperfield | British architect | Britannica
The purpose of this analysis will be to highlight the ecocritical aspects of this polyphonic text, focusing on the interplay between environment, love and storytelling they stage. The narrative motif of the baby hero being rescued, looked after and sometimes breast-fed by a wild animal is widespread in mythic narratives and is persistently used in medieval chansons de geste and romans. In the early appearances of In the early appearances of the motif, the animal surrogate parenting of the hero works mostly as a sign of the hierarchical respect the character naturally inspires across species as well as a demonstration of his being elected by God.
However, it is only in the later development of the motif, with the passage to the 14th and 15th-century prose romance, that the affective and biological implications of such cross-species intimacy start being explored.