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They are too young to know the former shape of Chinese cities. Are they aware of all the upheavals that the construction of such a city has brought with it? We thank Barbara Wolf for granting permission to use Michael Wolf's photographs in this blog article. The review in full is below:. This intimate show revisits the scene in candid black-and-white images, shot with a mm. At the time, photography didn't exist as an art form in China; RongRong's indelible pictures of his peers' courageous, outlandish performances helped to change that.

Among the many revelations here is a portrait of the artist Zhang Huan—who is now world-renowned—staging his first-ever performance, inserting a salvaged mannequin leg between his legs like a living Hans Bellmer doll. Within months, the police raided the East Village and the experiment ended. History repeated itself this July, when police in riot gear descended on two Beijing art districts, forcing hundreds of artists out of their studios.

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On the first Monday of September, Americans observe Labor Day, a national holiday celebrating the contributions and achievements of the workers of the United States. The origin of this holiday can be traced back to the changes brought about by the Industrial Revolution and labor movement of the late 19th century, during which advanced mechanized manufacturing became the primary mode of production. This production was concentrated into mills, factories and mines in which working conditions were often unregulated, dangerous, and exploitative.

In response, labor unions began to organize, fighting for safer conditions, reasonable hours, and increased wages for workers. Thanks to their collective efforts toward labor rights and reform, today we have eight-hour work days, two-day weekend, a minimum wage, standardized safety regulations, health benefits and care for work-related injuries, retirement funds, as well as the abolition of child labor. Furthermore, the rise of class-consciousness and the tradition of solidarity inherent in the labor movement is inextricably linked with civil liberties, social justice, economic equality, and human rights movements more generally.

Labor Day became an official federal holiday in , with an aim toward celebrating these achievements and the power of collective action. The Walther Collection's vernacular photography collection has several examples of North American workers. Among them are group shots of miners, a notoriously dangerous trade that was at the forefront of the organized labor movement. This fact dates this postcard to after , because it had previously been illegal to include correspondence on postcards until then.

The "AZO" stamp postage markings and "full bleed" style help to further date it to before Depicted are twenty-eight hard working men standing shoulder to shoulder, a few smiling though most are stone-faced, dressed in well-worn work wear and standing before a mining operation, that based on the title, was used to extract precious rock gold. Their stern, unified stance is no coincidence, as hard rock miners were some of the first to organize in the early days of the labor movement, including the radical Western Federation of Miners known for their organization of multiple strikes and clashes with the Mine Owners Association in the late nineteenth and early twentieth centuries.

The National Federal Mineworkers Association fought for the eight-hour workday, which not only improved conditions for the workers, but also aided the mine operators avoiding overproduction that undermined their profits. Similarly, the history of coal workers and organized labor are also closely linked; the Coal Workers Union being one of the oldest in the Unites States, and United Mine Workers of America one of the first.

During the Industrial Revolution, as the demand for coal grew, so did profits and competition; smaller mine operating companies were bought out or forced out of business by larger ones which would come to dominate the industry. These large companies sought to keep the cost of production as low as possible, which resulted in an array of problems and poor conditions for workers, and eventually the organization of coal miners. They faced great danger in their work, high competition for jobs, regularly reduced wages, and exploitative circumstances despite the crucial role coal played in society; the mine owners saw the profits.

The unions sought increased safety for workers, collective bargaining power, and freedom from company exploitation, such as the unfair practices of the "company" towns and stores. They, too, would go on to win several major strikes. Unionization continued to grow throughout the Great Depression, particularly after the passage of the National Recovery Act of , which protected the rights of unions.

Soon automotive, steel, electrical manufacturing, and other major industries joined in organized labor unionization. For almost four decades, photographer Rufus Ribble traveled throughout the coalfields of southern West Virginia photographing coal miners, their families, and their towns.

Ribble primarily utilized a large Cirkuit camera designed to rotate on a fixed tripod and take a continuous panoramic image of up to degrees. The group pictures below are two selections from a larger panoramic image that provide a more detailed close-up view of the individual coal miners. This photograph dates to and depicts a group who worked the Minter coalmine in West Virginia: African American and white workers standing, proudly and seriously, side by side.

A second photo taken in depicts a similar racially-mixed group of coal miners based in the Bellemead coalmines of Sabine, West Virginia, with a front row kneeling and a back row standing, wearing slightly different work clothes, and a few notable smirks. The Labor Movement continued into the twentieth century, growing in numbers and diversifying during U.

These probably date to the s, during or just after the World War Two period. The citizenship status of the employee is included, perhaps a wartime effort to combat infiltrators to companies doing contract work for the government. In , the labor leader A. Philip Randolph convinced President Roosevelt to set up a Fair Employment Practices Committee, including African American workers, which resulted in a percent employment growth of African Americans by the end of the war, with unions such as the Congress of Industrial Organizations, the United Mine Workers of America, and the United Automobile Worker equally fighting for the rights of their members regardless of race.

Throughout the twentieth century, women have sought gender equality in labor. With the loss of their higher-paying union jobs after World War II, millions of women moved into the retail, health, education, and service sectors, which had relatively poor, unregulated working conditions. However, with the federal anti-discrimination laws of the early s, the persistence of organized labor, and pressure from the emerging feminist movement, as well as the formation of the Coalition of Labor Union Women, strides were made toward ensuring nondiscriminatory hiring and promotion, equal pay, paid family leave, regulation against workplace sexual harassment and violence, and the availability of child care.

The faces of the labor movement, like the workforce, are diverse, and many of the same rights and reforms are still being fought for today.

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While organized labor has declined over the past few decades, we still benefit greatly from the past contributions of workers involved in the labor movement, and Labor Day marks an occasion to reflect upon and celebrate the continued achievements and solidarity of workers in the United States.

Every June, Pride parades are celebrated all over the world. On June 28, , violent riots between the police and activists of the gay and lesbian movement took place in front of this bar. At the same time, such bars were often a target for police raids.


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According to the law at the time, the police had the right to detain anyone who did not wear at least three garments identified with their gender. That June evening, visitors of the Stonewall Inn began to defend themselves against such a raid and the arrests associated with it. Depending on the epoch and culture, same-sex relationships have been evaluated, accepted, or criticized very differently. While homosexuality was tolerated in ancient Greece under certain conditions, homosexual acts were alternately considered a sin, as seen in the biblical stories about the cities of Sodom and Gomorrah.

The United States enacted its first laws against homosexuality in the 17th century, and such acts were typically punished by long prison sentences or hard labor. Each state formulated laws and determined sentences against sodomy—all sexual acts which do not take place between a man and a woman—thus causing significant variations in cases.

In , the Model Penal Code recommended that consensual sodomitic acts not be punishable by law, and individual states began to repeal such laws beginning in —however it was not uncommon that extralegal, social punishment was still sanctioned. In , the U. For example, American photographer Bob Mizer contributed to the formation of a homosexual counter-movement with his photographs of male homoeroticism. Though working at a time when homosexuality was forbidden and suppressed, Mizer founded the Athletic Model Guild in He cast young muscular men in photographs and had them pose nearly nude.

In , authorities sentenced Mizer to six months imprisonment for obscenity. After Mizer's release, he quickly found a new way to publish his pictures. Mizer founded Physique Pictorial in , which officially functioned as a fitness magazine but allowed him to address his pictures to a homosexual audience. Until , the U. Mizer avoided censorship issues by recreating backgrounds based on classical models and posing his models in a certain way. These specifications created stronger references to the themes of fitness and idealized bodies. Mizer's magazine Physique Pictorial also pushed illustrator Tom of Finland's career and inspired artists such as Robert Mapplethorpe and David Hockney.

Like nude photographs, acts of public cross-dressing were also punishable. Starting with Ohio in and Tennessee in , states enacted laws prohibiting citizens from wearing clothes belonging to the opposite sex, which continued into the s. For the most part, legal clothing restrictions only applied to men. As recently as , Louisiana stated it was not appropriate to appear in public in the clothing of the opposite sex—ten years later they revised the decree.

Among The Walther Collection's vernacular photographs is a series portraying cross-dressing called Dear Martin , which reflects newly gained freedoms in private spaces. Images include a man on a house roof posing, seemingly alone, in underwear and sunglasses, perhaps while sunbathing. Upon closer examination, the pictures reveal that the man is wearing women's underwear. The consistent perspective suggests that the pictures were taken with the help of a tripod.

However, these pictures were not taken in secret—from the opposite house one may have been able to see the lower half of "Martin's" body. Perhaps this was a certain thrill for him, which he documented with his camera. The Nigerian-Cameroonian artist Samuel Fosso has also worked with topics of gender and identity in his photographic practice.

For the store's fiftieth anniversary, Fosso was invited to set up a studio there and use the clothes and make-up on sale in his photographs.

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He later explained the La femme image as "a dream. A dream that narrates slavery, segregation, and the desire to be free, to get revenge, to be independent from whites, from men, to be economically independent, to make a career for herself" Schlinkert Rather than produce deliberately queer content, Fosso used his body to capture the character, regardless of its gender, on film. In addition, curator Okwui Enwezor reasoned that Fosso was one of the first artists to comment on themes such as masculinity, gender, identity and sexuality in Africa, which is expressed through androgyny in his depictions.

In Africa, works of art which deal with issues of identity and gender often point to social taboos and elicit discrimination, but are not necessarily subject to criminal prosecution.

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In countries like China, however, such artworks are often victims of strict censorship and may give rise to legal consequences. In China to this day, gender is a rigid binary composed only of men or women. Through Fen-Ma's character, the artist created a kind of hybrid being that unites the characteristics of both sexes and attracts attention.

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On the second Sunday in May, many countries celebrate Mother's Day. However, it is not only on this holiday that the ambivalent subject of motherhood is omnipresent. The concept and its meaning are continuously negotiated in private and public, and on personal and political levels every day. While the origins of each country's Mother's Day differs—for example, the Association of German Flower Shops introduced Mother's Day in Germany in —today we remember Anna Jarvis, the American women's rights activist, whose efforts originally led to the initiation of Mother's Day in the United States in In , The Walther Collection presented Distance and Desire: Encounters with the African Archive , an exhibition that critically examined stereotypical representations of Africans — including the widely reproduced picture "Zulu Mothers," which circulated in large numbers in Europe as a photograph, postcard, and carte de visite.

The caption of such a postcard marks the women photographed in two ways: as mothers and especially as the other mother , namely the African mother , thus creating a clear distinction from the Western concept of motherhood. The gelatin or collodion printing technique used suggests that the photograph "Zulu Mothers" was taken in the late 19th century.

Postcards with African motifs formed only a small part of the global postcard archive. Yet they were of importance: The golden age of postcard production and distribution coincided with the period in which the European colonial powers massively expanded their administrative structures throughout Africa. Thus, African postcards of this kind reflect the complex relationships between the photographer and the subject photographed, as well as between motif and viewer. They tell of the colonial conquest and economic exploitation of Africa. While some of the photographs show pictures of landscapes, urban architecture and industrial progress, one focus of African postcard production was on depicting ethnicity and racialization, which visualized and staged Africans as the Other , the Foreign , and the Exotic.

The photo print at hand is also of this kind. Christraud M. Geary identified the women as members of the Bhaca, a Zulu-speaking group from the south of the South African province of KwaZulu-Natal, on the basis of given clothing and hairstyles.