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- Belgian museum on Africa reopens after 10-year effort to exorcise the ghosts of colonialism
Vandenbosch and S. Salary and benefits are in line with the university salary scale for PhD candidates and highly competitive according to international standards. Eligibility Each applicant should be highly motivated to study media effects and learn about explanatory mechanisms. Applicants can have a master in communication sciences cum laude , social informatics cum laude , and psychology cum laude or in related fields sociology … cum laude.
Ehkäisypillereiden aloitus kesken kierron Valašské Klobouky Czechia Prostituoituja
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How to Apply Applications can be submitted in English. A Skype appointment can be made by email. But it is impossible to totally exorcise the ghost of Leopold. Among the most popular exhibits, witnessed by more than a million Belgians, was a human zoo of Congolese people. A plaque has finally been erected memorialising the seven Congolese who died from exposure after being forced to wear traditional clothing.
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We've noticed you're adblocking. For example, the museum has ethnographic objects from Oceania and America as a result of exchanges between the Royal Museum for Central Africa and the Royal Museums of Art and History between and The museum's wood collection also contains samples from around the world.
Belgian museum on Africa reopens after 10-year effort to exorcise the ghosts of colonialism
It is the third largest collection in the world and the only reference collection in Belgium. When it was created in , the museum encouraged military personnel, civil servants, missionaries, traders and scientists who were in the Congo to collect objects and animals. Some of the objects in the collections were gathered during military campaigns in the Congo aimed at subduing the population, defining borders and establishing the authority of the colonising power. Such objects were often weapons and other trophies acquired as spoils of war during violent clashes.
A growing interest in the Congo led to fierce competition between European and American museums with each aiming to collect as many interesting objects as possible, preferably before the competition could take them or the colonisers remove them.
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Congolese artists and artisans saw this as an opportunity to make and sell objects valued by collectors. Since its creation, the museum has sent scientists to the Congo to collect objects and specimens. Today, the museum's scientific projects continue to add to many of the collections, such as the fish, wood and insect collections, for example.
The first Belgian missionaries to the Congo rejected African religious practices and destroyed objects they considered "heathen".
Missionaries who had lived in the colony for some time were often more understanding and showed a greater interest in Congolese languages and cultures. The museum's conservationists would often call on them for their knowledge of the languages and their contacts with the population. The colonial authorities encouraged Westerners living and working in the Congo to collect objects for the museum.
For some pieces, we have abundant information, whereas for others, we only know where they were discovered and the name of the collector, but not the name of the artisan or artist. Following the colonial exhibition of , African art dealers began appearing in Brussels and Antwerp in the 19th and particularly the 20th century.