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Create a lightbox Your Lightboxes will appear here when you have created some. Save to lightbox. Hoogstraat and Breidelstraat, Brugge, Belgium. The tremendous holdings of this gallery give you the makings for a crash course in the Flemish Primitives and their successors. For example, here you can see Jan van Eyck's wonderfully realistic Madonna with Canon Van der Paele, in which van Eyck achieved texture and depth through multiple layers of oil and varnish.
The painter's attention to detail is all-embracing; the canon's pouchy flesh and the nets of wrinkles around his eyes are as carefully depicted as the crimson folds of the Madonna's robe or her waving golden hair. There's also one of the greatest works by Hans Memling, the Moreel Triptych. The namesake family is portrayed on the side panels, all with preternaturally blank expressions. As if this weren't enough, the museum also encompasses a strong display of 15th- to 21st-century Dutch and Belgian works, sweeping through to Surrealist and contemporary art. The Groeninge is set back from the street in a pocket-size park behind a medieval gate.
Although it is blessedly small, its riches warrant a full morning or afternoon. Thoughtfully, there's a play area to keep antsy children busy. An audioguide is available in English. Dijver 12, Brugge, Belgium. OPEN: Tues. If you want to understand the daily life of 15th-century Brugge, visit this applied arts museum. The collection is housed in the former home of Lodewijk Van Gruuthuse, a prominent Dutch nobleman who financed Edward IV's campaign to regain the throne of England in The family made its money from toll rights and from gruut, an herb used in brewing beer -- a sure way to get rich in Belgium.
The home features displays of furniture, tapestries, lace, ceramics, kitchen equipment, weaponry, and musical instruments. Beamed ceilings, immense fireplaces, and cool stone floors exemplify the decor of the time. Room 6 has an attractive Gothic interior with a 15th-century mantelpiece and stained-glass windows. Don't miss the 18th-century guillotine -- a piece of equipment that most homes of the era fortunately didn't contain. The audioguides are available in English. Dijver 17, Brugge, Belgium. Heilig Bloed Basiliek.
The Basilica of the Holy Blood manages to include both the austere and the ornate under one roof -- not to mention one of Europe's most precious relics. The 12th-century Lower Chapel retains a stern, Romanesque character, with three brick aisles and massive pillars supporting a low, vaulted roof. Note the poignant, 14th-century Pieta and the carved statue of Christ in the crypt. From this sober space, an elaborate, external Gothic stairway leads to the stunningly lavish Upper Chapel, which was twice destroyed -- by Protestant iconoclasts in the 16th century and by French Republicans in the 18th -- but both times rebuilt.
Unless you wish to attend Eucharistic Mass, avoid visiting the Upper Chapel on Sunday noon, as you will not be able to walk around and view the space. Behind the iron grill are parts of the original tile flooring. The original stained-glass windows were replaced in , and then again after an explosion in , when they were restored by the Brugge painter De Loddere.
The basilica's namesake treasure is a vial thought to contain a few drops of the blood of Christ, brought from Jerusalem to Brugge in by Derick of Alsace when he returned from the Second Crusade. On Ascension Day, it becomes the centerpiece of the magnificent De Heilig Bloedprocessie Procession of the Holy Blood , a major medieval-style pageant in which it is carried through the streets of Brugge.
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The small museum next to the basilica contains the 17th-century reliquary. In an alley off well-worn Breidelstraat you'll find the tiny, two-tier, brick-and-beam coffeehouse and pub De Garre De Garre 1, Brugge, Belgium.
Settle in for some Mozart and magazines with your coffee or beer. You won't lack for a choice of brews; the menu lists regional beers, four beers on tap, and five Trappist beers. A plate of cheese, such as Oude Brugge, is a good match with one of the heartier beers. De Garre is open from noon to midnight. No credit cards. Jan van Eyckplein.
This colorful yet low-key square lies at the center of Hanseatic Brugge, marked with a statue of the famed 15th-century painter. It includes the old Tolhuis Customs House , built in , where vehicles on their way to market had to stop while tolls were levied on goods brought from nearby ports. The building is now an information office for the province of West Flanders.
The Poortersloge, a late Gothic building with a slender spire, was owned by the guild of porters and used as a meeting place for the burghers. Currently, it's used to store historic documents and it occasionally opens for exhibitions. The bear that occupies one niche represents the legendary creature speared by Baldwin of the Iron Arm and later became the symbol of the city. The striking, 15th-century Jerusalem Church, with its stained-glass windows, was built by two pilgrims returning from the Holy Land who copied that city's Church of the Holy Sepulchre. The black marble mausoleum of Genoese pilgrim Anselm Adornes and his wife occupies a central position.
Anselm became burgomeister of Brugge, but was murdered in Scotland while he was consul there in Jeruzalemstraat 3, Sint-Anna, Brugge, Belgium. COST: Free. The Lace Center maintains the quality and authenticity of the ancient Belgian craft of lace making. This foundation includes a lace museum in the Jerusalem almshouses in Balstraat, as well as a school where youngsters are taught the intricate art of the bobbins, and a shop to buy all provisions. You can watch lace-making demonstrations every afternoon except Sunday. The building is the former home of the Adornes family, and adjoins their mausoleum in the Jeruzalemkerk.
Peperstraat 3, Sint-Anna, Brugge, Belgium.
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Used as a marketplace since , this square is still one of the liveliest places in Brugge. In the center stands a memorial to the city's medieval heroes, Jan Breydel and Pieter De Coninck, who led the commoners of Flanders to their short-lived victory over the aristocrats of France. The two figures grasp a sword, chins up, in slightly histrionic poses of determination.
On the east side of the Markt stand the provincial government house and the post office, an excellent pastiche of Burgundian Gothic. These buildings aren't always as old as they seem, though -- often they're 19th-century reconstructions. The medieval Belfort Belfry on the south side of the Markt, however, is the genuine article.
The tower dates to the 13th century, its crowning octagonal lantern to the 15th century. Altogether, it rises to a height of feet, commanding the city and the surrounding countryside with more presence than grace. The valuables of Brugge were once kept in the second floor treasury; now the Belfort's riches are in its remarkable bell carillon. Impressing Belgians with a carillon is no mean feat, as Belgium has some of the best carillons in the world.
If you haven't walked enough, you can climb winding steps to the clock mechanism, and from the carillon enjoy a gorgeous panoramic view. Back down in the square, you may be tempted by the horse-drawn carriages that congregate here; a half-hour ride for up to four people, with a short stop at the Begijnhof, costs EUR Carillon concerts: June Sept. The collection contains six works, but they are of breathtaking quality and among the greatest -- and certainly the most spiritual -- of the Flemish Primitive school. Hans Memling was born in Germany, but spent the greater part of his life in Brugge.
In The Altarpiece of St. John the Baptist and St. John the Evangelist, two leading personages of the Burgundian court are believed to be portrayed: Mary of Burgundy buried in the Onze-Lieve-Vrouwekerk as St. Catherine, and Margaret of York as St. The "paintings within the painting" give details of the lives of the two saints.
The miniature paintings that adorn the St. Ursula Shrine are likewise marvels of detail and poignancy; Memling's work gives recognizable iconographic details about cities, such as Brugge, Cologne, Basel, and Rome.
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It was founded in the 12th century and remained in use until the early 20th century. Furniture, paintings, and hospital-related items are attractively displayed; the 13th-century middle ward, the oldest of three, was built in Romanesque style. A fascinating 18th-century painting shows patients arriving by sedan chair and being fed and ministered to by sisters and clerics. There is a short guide to the museum in English, and the audioguide is in English, too.